Lucky Drawing with Susan Shie. Class information. Next class, Lucky Drawing 130, Aug 5 - Sept 3, 2018. Soft open Sunday night, Aug 5. All drawing skill levels, women students 18 and over. In a private Facebook group classroom. Now taking registration for up to 30 students. Take a walk on the wild side of making art!
I began drawing "5 AM Drawing with Juno" aka "The Two Tailed Dog," on 10-3-16, because one of my Lucky Drawing students, Juno, had mentioned that she was going to get up at 5, to draw before she went to work. I said I'd do the same, so she'd have company. We texted each other, to feel like we were really sitting together in the kitchen, drawing together. I decided to begin my drawing as a Library Time drawing - 10 minutes in which you draw whatever comes into your head. I got images of giving our dog Libby her Dog Wash bath the day before, the cats wanting to be fed, Ruth Bader Ginsburg and her memoir, and walking Libby with my friend Pat. I gave LIbby 2 tails here, but then couldn't remember what the reference was, that I heard on the radio, while I was drawing. The Two Tailed Dog Party is in Hungary, and it parodies the political elite, and is mostly street art and grafitti. I really like that, and it should be the title of this drawing!!!! I worked to finish this drawing off and on, for a few more days, because I really liked it. It's 14"h x 22"w, in my large hardbound sketchbook, which is the format of our class drawing asssignments. I used ink, watercolor, and colored pencils. Oh, and the first thing I drew was Juno and me sitting across the table from each other (in my imagination) and drawing together. All of the drawings you'll see in this long page here, are ones I made for my Lucky Drawing online classses.
Turtle Moon Studios 2612 Armstrong Drive, Wooster, Ohio, 44691-1806.
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Off-beat and very NOT about HOW TO DRAW, but how to express yourself and REALLY enjoy drawing, my online drawing classes will get you drawing a lot more and loving it! I promise!!
Class name: Lucky Drawing 130.
Teacher: Susan Shie
Contact info: 330-317-2167 (talk or text), email@example.com, FB message to Susan Shie. Send checks to Susan Shie; 2612 Armstrong Drive, Wooster, OH 44691. Send PayPal payments to firstname.lastname@example.org (name on my account is my husband's: James Acord.)
Class dates: Aug 5 - Sept 3, 2018.
Soft opening: Sunday, Aug 5, between 9 and 10 PM eastern time. I'll invite registered students into the class to get set up that night, by sending you a FB notification from me. You'll click on that notification, and it will take you to the FB group called "Lucky Drawing 130." When you get there, bookmark that page for easy access during the 4 week class. It's no problem, if you can't attend that night, come to class as soon as you can, any time the next day or even wait til the official opening on Jan 9, any time of day. This class is NOT time-of-day specific.
Location: on Facebook, in a secret, private group. No one but the students and I can access it.
Price of class: $155 - personal check; $160 via PayPal with USD; $165 USD via PayPal if you use foreign currency. See contact info above.
How to register: Study this page. Then contact me, to tell me when to expect your payment. See contact info above. Also send me your friend request to my Susan Shie FB page, because if we're not FB friends already. I can't invite you to join the group.
Class format: Freehand drawing class, taught in a very radical style: guidance and inspiration without how-to's, step-by-steps, or judgment. All assignments can be done, changed, or ignored. Positive feedback discussions of drawings posted by all. Drawings done in hardbound sketchbooks, with any freehand drawing supplies.
Students: Adult women. Conservatives will not like this very liberal leaning discussion group. Just warning you. Because the class is a private, secret FB group, we discuss and often choose to draw about current events and social commentary definitely swings to the left!
Attendance: Any time of day or night, when you want to post your drawings or make comments about others' drawings in the class. No specific time to be there with others. It just feels like we're all there at once!
Here's my class signup info page on Facebook, where you can click the "going" button to register for the class, and see who else is going to be there.
Registration for this class is open now. Just contact me and I'll put you on the list.
There's more info on class fees and how to pay me, about 1/4 down this page, right after the Dalai Lama drawing. Supply list is about 2/3 down the page.
Lucky Drawing Classes 2018 schedule:
2018 Lucky Drawing Classes, online in a private, Facebook group classroom:
LD 125 Jan 9 to Feb 5, 2018, soft open Jan 7. 20 students.
LD 126 Feb 20 to Mar 19, 2018. soft open Feb 18. 20 students.
LD 127 Apr 3 to Apr 30, 2018. soft open Apr 1. 17 students.
LD 128 May 15 to June 11, 2018. soft open May 13. 15 students.
LD 129 June 26 to July 23, 2018. soft open June 24. Current class, has 22 students.
LD 130 Aug 7 to Sep 3, 2018. soft open Aug 5. This is the class you're signing up for now.
LD 131 Sept 18 to Oct 15, 2018. soft open Sept 16
LD 132 Oct 30 to Nov 26, 2018. soft open Oct 28
Long break for the holidays! Then:
LD 133 Jan 8 to Feb 4, 2019. soft open Jan 6
I made "Becky's Pot" in my Lucky Drawing 114 class, finishing the piece on Aug 25, 2016, for my class assignment "Body Language." I also made my class video of me creating this drawing, so if you take my class, you'll have access to that little Lucky Film. The story here is based on Becky Jackson's photo of her classmates and herself, on a break during a pottery class at UNM Taos. She so triumphangly held up her pot, I asked her permission to freehand draw from her photo, which is her Facebook page banner pic. When I wrote on the piece and told her story, I also added the history of Medical Marijuana (MMJ) in the US, partly because my state, Ohio, begins to enact our law about MMJ in September, and I wanted to research it. I used colored pencil, Inktense colors, and gel pen to make this piece. The fortune says "Your dreams are never silly. Depend on them to guide you." (randomly chosen fortune, pulled when the drawing was finished.)
Please go to my Facebook event promotional page for this class, where you cn go and click "going," to sign up, once you've decided to go, and then contact me about taking this class. The list under "going" on that event is my class list, so be sure to sign it, if you're going to take the class. Or click "inerested," if you want to go, but haven't decided for sure yet. Or just contact me, if you don't have time to go to that page now. Thanks!
You can continue to take my classes online, as when people take piano lessons or a yoga class that continues over a long time. But you can also take it for just one or two 4-week sessions, or pop in and out over the years. There will usually be a 2-week break between the 4-week sessions, and you won't miss anything if you are in and out of the sessions over time. You are very welcome to come to this class as a new drawing student or a returning one. You don't need to have taken a drawing class from me or anywhere else before. I will always have some brand new students and some repeaters in all my 4-week sessions, and the classes will always have students with all levels of drawing skills. Each artist's personal best is what we're focused on.
A woman interested in taking this class wrote to me: “If you want some early feedback: I don’t want to sit around drawing still life stuff. I am scared of drawing anyway. I want to do fun stuff that resembles the real but doesn’t have to look like a replica. I need a kick in the pants or incentive to overcome the fear of drawing. I love funky stuff and funky colors!" I wanted you to read that quote, because that's exactly the kind of students I'm looking for!
"Duncan Jones' College of Wooster graduation 1995" ©Susan Shie 2016. I made this 14"h x 22"w drawing in my sketchbook for my David Bowie assignment, for my Lucky Drawing 109 online class. Duncan chose my alma mater for his college, which made me really proud of both the student and the school. Matt Dilyard took a black and white photo at graduation, of this scene (minus me, of course), and that photo came out on the front page of the newspaper. I felt sorry for Duncan, that his star-father got this publicitiy, and I suspected that both of them felt bad, that Duncan couldn't just be Duncan that day. But when Bowie died on Jan 10, 2016, I thought of that photo, and I found it online and used it to study for my freehand drawing of Duncan's graduation. I'm in the drawing, because I graduated there in 1981 and wich I could have met Duncan. Now this image seems very sweet to me, and now I'm glad Matt Dilyard captured the proud father with his graduating son. Bowie's wife Iman is on the right side, also quietly proud of her step-son.
The class is much more about expressing yourself through drawing, rather than making the best drawing in the class. We work with making narrative drawings of our ideas and stories, rather than me giving traditional formal exercises or teaching rules used in drawing. So we're not dealing with perfection of drawing, but rather with learning to open up and express ourselves without formal rules or judgment. I guess you could compare my teaching style with the Montessori style of teaching. It's about self expression and independent exploration. But I bring it all together, as we share themes and encourage each other with supportive commentary on the drawings each of us uploads to the Facebook priate group that is our classroom.
This FB group can only be seen by the people who are in the class, so all that we post and say is totally private among us. You must have a Facebook account and you and I must be Facebook friends, in order for me to include you in the class. You must be able to photo your class drawings and upload them to the classroom, in order for us all to see your work, and I can teach you how to do that. I'll leave up the class up on FB for at least a year from its starting date, so you can go back and reference it, share new drawings or news there, or find friends you made there.
"Kissing Chain for the UK." This was my drawing for my first weekly assignment: Breaking News, in Lucky Drawing 113. It's about a kissing chain held in Europe on June 19, 2016, to show support for the UK, because of the violent murder of the UK MP Jo Cox, because the killer disagreed with her empassioned support for Syrian refugees in the UK, and because the kissing chain participants wanted to send the UK love, to get them to vote to stay with the EU, when they would have their referendum vote on June 23. The kiss wend down a long line, first in Rome, then was passed by iPad to Berlin, then on to Paris, and finally ended with a long line in London. It was all well documented, so I spent a lot of time studying photos and videos, before I make my drawing. I started it by freehand drawing the white guy kissing the black girl, and then added more sketches of more of the kisses, from other photos. I drew them all with a blue bic pen, and later added watercolor, colored pencil, and black gel pen to this 14 x 22" drawing in my large sketchbook. The paper fortune I selected at random at the end and glued on, says "Your love of gardening will take on new meaning in your life." This is my favorite drawing right now. :)
In this class, we are only doing actual freehand drawing with real art supplies on real paper in the 11 x 14" (or optional smaller) hardbound sketchbooks, and we are NOT doing any iPad or other digital drawing, tracing, or collage. There are classes for digital drawing, but this one isn't. So thanks for understanding that and drawing freehand on paper in this class.
I met a fascinating woman named Bet Ison, at the reception for STITCH, a show I juried at the Claypool-Young Gallery of Morehead State University in Kentucky on August 26, 2015. We were discussing how so many artists have never learned to draw and are afraid to draw. She threw her head back and laughed: "I never let not knowing how to draw stop me!!!" I got her permission to quote this gem of insight! And I want you to take it to heart!
"Oasis Girls Enjoy Quiche at the Cabin at Miller Lakes." ©Susan Shie 2015. I started this drawing right after getting home from a gathering at Mady's Cabin, with only one Oasis girl missing, since there are only seven of us actively coming to our gatherings anymore. Midge brought her dog Chloe though. We were celebrating Margi and my mutual birthday, September 28th. This is 14 x 22", a double page spread in my big hardbound sketchbook, finished 10-26-15. Rub-a-Dub marker, watercolor, and gel pen. The paper fortune says "Prsoperity and love are in reach." I always choose the fortune from a pile of them, at random, so it must be true!
I began teaching online in January, 2015, though I have been teaching drawing since 1981, when I began teaching undergrads Drawing I and II at Kent State University's School of Art. My Lucky Drawing class session numbers (101, 102, 103, etc) do not mean you need to take one class in order to take the next or another class later. They are not sequential lessons classes, but are just numbers to let us know which session we're in. Each student in the class is going at their own pace, at their own level, during any given session. I have many students who keep taking the class, like you you keep up with your yoga class, signing up over and over, to be there, moving at your own pace.
You can sign up for this next class any time now. To sign up, email me at: email@example.com, or text or call me at 330-317-2167, or message me on Facebook. Just tell me that you want to sign up, and tell me how you're paying. Then I'll let you know when I've got your fee. I'll open the new classroom softly, between 9 and 10 PM Eastern, on Facebook, on the Sunday night before the class technically starts. When I put your name into the class group that night, FB will send you a notification on FB, to join that secret private classroom. You'll click on that notification from me, go to the class, read the files about starting the class, and create your own photo album there. I have instructions there for making your album. Then you can jump in and join the class conversation and interaction with our drawings being posted. Fee info is right below here.
Dalai Lama and Burt at 80." ©Susan Shie 2015. The Dalai Lama celebrated his 80th birthday on July 6, 2015, and Burt Shavitz of Burt's Bees passed away at 80, on July 5. I wanted to honor both of them, and felt that their being the same age, and both being very groovy was reason enough to put them together in this drawing, which also includes the Sweet Peas my daughter Gretchen brought me from her garden in Lakewood, Ohio. I hope my drawing honors both men for their peacefilled lives, walking gently on the Earth. This drawing was made for the first Special Event drawing challenge for Lucky Drawing 105, to make a drawing about the Dalai Lama's 80th birthday. Many of my students took the challenge and made lovely artworks about His Holiness.
How to pay for this class: If you live in the US, the class fee is $160, if you pay with PayPal, and $155 if you mail me a personal check. If you live in another country, please use PayPal and send me $165 in USD, which will cover the currency exchange fee PP charges me. If you use PayPal, send your fee to firstname.lastname@example.org, but the name you'll see on your PP statement will be James Acord, my husband. (Returning Lucky Drawing students who choose the audit option pay half price, but cannot submit drawings to the class.)
However you’re paying, please email me at email@example.com, to let me know that you are sending payment, so I can put your name on my class list. I will also need your phone number and street address.
For PayPal payment, go to your PayPal account and send your fee to my email address, firstname.lastname@example.org. The name on the account is my husband, James Acord. When I receive your payment notice from PayPal, I will email you and let you know that you’re enrolled in the class. If you've never used PayPal before and want to use it to pay me, email me, and I'll send you instructions on how to use PayPal.
For personal check payment, email me your intention to take the class, and then send $155 to Susan Shie, 2612 Armstrong DRIVE, Wooster, Ohio 44691. When I receive your check in the mail, I will email you and let you know that you’re enrolled in the class.
My Lucky 7 Plan: If you take 6 full-time-student classes with me, you get the 7th class free. Stick with me and receive a free online class!
Above: "St Judy's Comet." ©Susan Shie 2014. drawing in large sketchbook, with pen, colored pencil, and watercolor. This piece was made for the drawing assignment "Draw a Song," and uses Paul Simon's "St Judy's Comet" as the song, and began with a photo of a friend putting his son to sleep, which is what Paul Simon was singing about in this song. My friend Carson's son was about 2 and a half months old at the time of the photo. I added the tumbling comet above them, to show the song's line "Won't you run, come see St Judy's Comet roll across the sky and leave a spray of diamonds in its wake." I decided that the comet here is Carson's wife and his son's mother, Jo.
We'll be drawing mostly in large hardbound sketchbooks and uploading pix of our drawings to the our personal albums. So you have to have enough computer skill to be able to take your photos and get them into our classroom on Facebook. (And I will help you personally with that, if you need assistance to get going.) My classes include very interactive discussions about everyone's drawings, so it feels like we're really in a live-time classroom, talking together, supporting each other's ideas and artworks. But each student really comes to the class group whenever they have time, any time it works in your own busy schedule.
This online class is about drawing on paper, and will NOT be about working on cloth at all. I may offer that online later, but for now, I’m focusing on what most artists I know need to improve on: their drawing skills, so basic to being able to have true freedom in artmaking!
I have always considered myself a painter, much more than a quilter, as all my formal art studies were in drawing and painting. I came to quilting out of a feminist choice in college, to embrace the sewing my mother had taught me, and which had been such a big part of my life as a girl and a woman. I wanted to make Women's Art. This made me consciously decide to add sewing to my drawing and painting, and later that kind of work became known as art quilting. But we aren't studying that here.
I began teaching focused drawing classes when I was a graduate student at Kent State School of Art, teaching two undergrad drawing classes per semester in the early 1980s. I’ve taught drawing, painting, writing, and sewing in my art quilt workshops since 1989, around the world. In my Turtle Art Camp weeklong, live-in students sessions at my home since 1994, and in the classes I teach away from home, I now teach only drawing, in the same format that I use for my online classes. (Check my Turtle Art Camp description, where you'll find several camp sessions to pick from for this year.)
But I'd never taught an online class until January, 2015. I found out I love doing it. So in 2017 I began ONLY teaching freehand drawing, basing all of my in-person classes on my online Lucky Drawing classes. So if you want to learn to paint on cloth or sew it into an art quilt, don't look at me. I only teach freehand drawing on paper now, and I am thrilled to be teaching the stuff that frees everyone up to express themselves. You can apply that freedom later, on your own time, to whatever art medium you want to work with. But I teach drawing. That's it!
Above: This is me on April 26, 2015, drawing on a piece about my old next door neighbor Olga's flour sifter, which her family gave to me, after she died at almost 105 years. In this piece I began with a Rub a Dub laundry marker, then added color with children's water based markers, and am adding detail with a gel pen. In my online drawing class, we work in this size hardbound sketchbook, and we draw a lot from life, but also can throw in drawing from memory or imagination, when we like. For this piece, besides drawing things in front of me, I was looking at images of Milkweed plants online and drawing them all through the composition. I'm getting ready to buy Milkweed seeds to get started here, to help bring the Monarch butterflies back from the edge of extinction.
Class description: This class will be all about drawing A LOT in an 11 x 14" or smaller hardbound sketchbook - NO spiral bound books! - (using pens, markers, color pencils, watercolors, colored inks - whatever freehand materials work well for you and are visually strong on paper.) We'll each be doing optional and simple daily drawing exercises and working on weekly assignments. We’ll be drawing from life and/or from photos, and from memory and imagination, so we can play with the drawings and make them more passionate and poetic than just realistic renderings, in order to show our ideas and feelings in and for the work. It's fine to use photos as references, especially our own photos, but all drawing for the class must be done freehand. No tracing, collage, or digital drawing, please. If you use someone else's photos, please alter the composition in some ways, to make the new composition your own ideas.
I don't give step-by-step drawing instructions. I give theme ideas and then we all draw, with our own concepts of the themes and in our own ways and post our works for comments. I often use my class filmmaking to show how I use materials and create my own drawings for the class themes. While doing this, I often talk about how and why I do what I do with drawing tools, but don't expect me to tell you how to draw. I want you to open up like a little child and draw in your own natural way, which I promise will be wonderful! And the more you do it, the more you'll be able to draw like you want to.
Use any art supplies you want to, as long as you're drawing freehand, and we are able to SEE your compositions well in your photos. Let curiosity be your guide for learning to use various materials, and grab them and use them like a little kid does. In fact, the more you can think and work in a childlike state of innocence, the better! Art rules are pretty useless in reality! And judging your drawings will wear you out. Focus on the joy of drawing, not the hard work of it!
"Bon Taj Roulet Blues" ©Susan Shie 2016. I made this 14"h x 22"w drawing in my sketchbook for my The Blues assignment, for my Lucky Drawing 110 online class. I drew it with a blue brush marker, then started shading it with a blue Bic pen. I added yellow Inktense ink for the washed in color, and the marker washed a bit, too. Then I wrote on it and redid the lines with a black gel pen. The final touch was using a marker to color Bonnie Raitt's hair, and then use it again to put their tour date on Taj Mahal's guitar. Besides these two icons of The Blues, I added my son-in-law Mike in the lower left corner. (He can REALLY play the Blues!) I also added me in the top right corner, (but I never got any good at bar chords, so I can't play the blues at all! I love Bonnie Raitt's magnificent slide guitar style, and if I'd stayed with guitar, I might have tried that!)
I’ll be making many posts daily to the Facebook group, and will do this in a combination of ways: photos of my own drawings, comments on students' drawings, my films of making drawings for you to watch, and posts about other things that interest me. The other students and I will give positive feedback to you about your work that you post to the group, and the whole class group will participate in our discussions of our drawings and whatever else we want to talk about. My students tell me that I partipate much more than the usual online teacher does. I wouldn't know, since I haven't taken an online class, just invented my own. Everyone's comments to others about their drawings must be supportive, never discouraging. Asking the artist questions about their drawing is fine, too.
Besides giving you weekly assignments, I’ll give Special Events themes, too, and they are totally optional. And you can do daily drawing of your choice. All drawings and all deadlines are your choice to do, to bend around in another direction, or to not do. Students can upload their assignments and other drawings, and can give positive feedback to each other. We’ll all share, and get to know each other, so everyone can feel comfortable together, in our own little art tribe. If you don't have time to do drawings at times, it's ok. Everyone works at their own pace in my classes. Some students post many drawings to the class, others show us few or even none.
You need to have a digital camera or smartphone, in order to take digital pix of your artworks and upload them to your album in the classroom. I take all my photos with my iPhone now. You also need to make photo images that show your drawings well, so we can see them right. I will give you needed personal help in learning how the FB private group albums work, whether you're working from a computer or a device. But you need to have the device or computer to work with, to get your drawings on paper turned into digital images for the class to see.
"Where Are My Keys?" ©Susan Shie 2015. I gave the assignment of this title to my last class, and then our cat Ome started chirping at the bedroom window, like she does, when she watches birds. Jimmy came and told me there was a huge flock of robins in the backyard, wilding flipping up the oak leaves from the ground, and then ducking under the leaves to eat worms. They must have been migrating south for the winter and stopped for a quick meal. I said it made me think of how frantic we get when we can't find our keys! I tried and tried to see the robins, but they were camouflaged by all the fallen leaves, so I could only imagine what Ome and Jimmy were seeing. This is 14 x 22", a double page spread in my big hardbound sketchbook, finished 12-5-15. Rub-a-Dub marker, colored pencil, and gel pen. The paper fortune says "Not all closed eye is sleeping, nor open eye is seeing." I always choose the fortune from a pile of them, at random, and this one came up right afrer I'd written on my cheek in the drawing, "I can't see them!" That gave me nice goosebumps, as I love really wonderful synchronicities!
A really nice thing about taking an online class is that you can "attend class" whenever it suits your own personal schedule. There is no exact time when you must be present. I hope this will help you fit the class into your own busy schedule. And if you get behind in the assignments, because Life gets in the way, you'll be able to access the group for a long, long time after the class is done. All the deadlines for assignments are what I call "porous." You can be late or early, or never do any given assignnent, and you're still ok. You don't have to do any drawings you don't want to do.
Learning to draw takes dedication and a hunger to improve, just like learning to play piano or other instruments does. This class is for those who ache to be able to draw well and are willing to work at it a lot, starting wherever their skill level is right now and being unafraid to let others know that they can’t draw perfectly now, but want to become able to draw as realistically as they would like. It can take years to get to “perfect” realism, not just a few weeks, but every improvement in skill toward that goal is amazing! And along the way, you can savor the leaps in your drawing ability, as you enjoy being able to really express yourself with what you create on paper. Continuing with more 4 week sessions of Lucky Drawing is what I hope you'll consider doing, so that you can continue to stay motivated to draw and improve your skills. I am certainly always striving to improve my drawing skills. We all need some structure, in order for us to make the time to draw, too!
I believe that some of us are born with more ability than others in artmaking, but that everyone can improve their skills, as long as they’re enthused and hardworking … and hardplaying! The amount of your drawing improvement will hinge on your thirst to make it happen. I promise that practice and passion make perfect ... eventually. And we'll have a lot of fun along the way! I hope you'll lie in bed, thinking about the drawing you're working on, and get up in the morning, with excitement about drawing on your mind. Well, at least sometimes!
I don’t judge my students’ work, but rather encourage them to keep learning how to really look at things and how to see the stunning variety of nuance in the world around us. Each time you look at something, it will look different, and you will learn to really see the shapes before you, and not draw what you think they look like, but rather, what they really do look like, in that place, from that angle, at that time. The world is so fascinating in its infinitely changing forms!
Above: "You Are My Flower." I made this drawing on May 29 and 30, 2015, drawing freeehand, looking at a photo I had taken of my family in June, 2012. from left are my daughter Gretchen, my son-in-law Michael, my granddaughter Eva, and my husband Jimmy. I sketched with a light colored pencil, then added more colored pencil, Inktense blocks brushed on with water, more colored pencil, and black permanent gel pen. You will notice that this and all of my drawings here are done in a hardbound sketchbook, which is what we draw in for my online drawing classes. I prefer the largest hardbound size, 11"h x 14"w, so the double page spread drawings are 14"h x 22"w.
Remember: visual art is about communicating ideas visually to others. Think about what you want people to notice, to feel, and to understand in what you’ve created and are sharing with them. Also please take to heart that there is no right and wrong in art. Creativity has no rules, thank goodness!
So I ask you to come to this class, if you’re ready to really fall in love deeply with expressing yourself through making drawings, which is the visual-form equivalent to playing piano, with the same requirement of discipline and dedication. Drawing with its art basics is to making art what basic piano with its music basics is to making music. It's all about curiosity, passion, practice and learning to see!
You can continue taking my 4-week classes, since they will not be repeats of earlier sessions. You can work with me as long as you want to, to keep your enthusiasm and inspiration up for doing your drawing on a regular basis. I'll keep thinking up new class assignments and making more videos, so you'll never feel like the class is getting old. I promise to keep you challenged!
If you are hungry to improve your art skills, to the point where you are able to feel unlimited in what you choose to make art about, or you need a group structure to make yourself find drawing time, or you want to be part of a very active, feisty group of artists making drawings together from all over the country and even farther away, then sign up. This class won't have step-by-step art-rules instruction. It will have passion and encouragement!
"Spring Rituals" is a drawing I made in Lucky Drawing 111, about my granddaughter Eva staying with us every year, when she has her Spring Break after Easter. She and Libby and Ome were all wiggling around a lot, when I wanted to draw them, so I ended up giving Libby two tails and having Eva's legs in a pretty weird position. The yellow cords are earbuds. This is a 14 x 22" sketchbook drawing, made with rubadub marker, inktense inks, gel pen, colored pencils, and Crayola markers.
Supplies for my Lucky Drawing classes:
You must be on Facebook, and send me a friend request, if we're not connected there already, so I can invite you into the classroom. I can only invite my FB friends to become students in the private FB group.
You can start this class with just the hardbound sketchbook and a few ballpoint pens, if that's all you have around. You can use anything you like for drawing supplies, except you'll see I hate it when you use regular, too light, pencils. Who can see those weak marks in a photo online?? If you are not in the USA, buy your supplies in your own country, but just try to find the biggest size hardbound sketchbook.
The hardbound sketchbook: This is the one supply you must buy for this class. You can buy other brands, but make sure the paper is of good quality. I suggest the 14”h x 11”w hardbound sketchbook by Pro-Art. 220 pages, 110 sheets, acid free, 65 pound paper. Buy anywhere you find it. Dick Blick has it. retail $16.99. Blick price is lower, plus shipping. Amazon has it at a good price, too, with free Amazon Prime shipping, if you have Prime. If you don't buy this brand, but it's the best one we've found (my students and I.) If you buy a different brand, your sketchbook still has to be hardbound, so it doesn’t have holes where the pages meet, but rather a nice bound-book center line between the open book’s facing pages. No spiral bindings or glued-only binding books, as glued pages fall out. Hardbound books last! And we’ll be drawing across a double page spread most of the time. I prefer the 11 x 14" size , because you can get so much more detail into larger drawings. Some students will use it and some will work smaller, but I honestly think that drawing smaller is actually harder! More supply options are below. With that said, you can also use a smaller book-style sketchbook for travel or for more casual drawings in the class.
"Riverwalk in San Antonio with Susie Monday, May 11, 2016" is a drawing I started on the airplane, coming home from teaching in San Antonio in May. Yes, I juggled my big hardbound sketchbook in my little airplane seat, not letting it disturb my seatmates! If you want to draw bad enough, you find a way! I drew this with my Rubadub black line marker, freehand, from memories of the magical experience of discovering the Riverwalk in downtown San Antonio, the night before. I started to color it in the airport, waiting for my connecting plane back to Cleveland, and I finished coloring it, even adding more stuff to it, later. It's 14" x 22", ink, colored pencil, gel pen, and a fortune selected at random, that says, "You have an unusual equipment for success. Be sure to use it properly." I always select the fortune at random, when the drawing is done, while I try to focus on the drawing, as I reach for the fortune in my bag of them.
Suggestions for other supplies you might want to try:
I suggest finding the supplies at places you want to shop at. Shop local or online. Amazon has everything, but you can also try Dick Blick, Jerry's Artarama, and other places. Some of us have local stores we can support for at least some of this stuff!
Here are some art supplies I use. You should use what you want. Don't buy a bunch of stuff. Just get into this gently. Don't spend more money, if you don't have to!
I had Rub-a-Dub laundry markers by Sharpie at the top of my suggested supply list, just under the sketcbbook. But they are apparently discontinued, and now the cost of them is extremely high. So we can do without them, at least until they either resurface, improved, or another permanent marker that's affordable and makes that lovely rich line is found. Regular Sharpie markers are famous for "haloing," which means that a rust colored stain comes out of their lines, onto the paper you've drawn on, later. Not good. Unless they've fixed that problem with the regular Sharpie, I don't recommend it.
Uni-ball Signo Impact 207 bold 1.0mm point black gel pens. Best roller gel pen I've found for paper, at a lower price than the Pentel rollers for fabric, lised below, which I also like, but they're funny on paper, putting out too much ink, that makes them sticky. These Uni-ball pens don't say they're waterproof, but that they're water-resistant. They have refills, which is amazing to find with a pen anymore! Very buttery gliding tip, very rich ink like the richness of the ink in the Pentels below here. The link above is for a set of 3 pens with 8 refills, because gel pens go down fast. But you can find them sold separately or in other package deals, too. Uni-ball also makes a Signo white ink gel pen, which comes in handy at times!
Bic ballpoint pens, medium tip. I sometimes use cheap blue and black pens for drawing. Right now I use the ones Bic calls Round Stic. They're great for drawing on the run when you don't have any "art supplies" on you! Use any paper you can find, when you're out and about and need to draw. Ballpoint pens are great for shading your drawing, and I use them intentionally in my work. You can use other colors of ballpoint pens, too. I prefer the blue Bic pens. And to be honest, I don't like or use the black Bic stic much. It's not a rich black ink. But the blue one looks great and feels really good to draw with!!!
Above: "Art and Peace." ©Susan Shie 2014. Drawing on the back of a big envelope, using a black, medium point Bic pen. I really prefer blue ones though!
Colored pencils: best are Prismacolor Premier colored pencils, because they’re soft and rich in color, the very best colored pencils with the very most wonderful colors! Make sure you're getting the Premiers, because Prismacolor also makes cheaper, but harder (therefore lighter and less rich) colored pencils. You can buy Prismacolor Premier Colored Pencils many sizes of sets, and even buy them individually, to replace your favorite ones. They also make Prismacolor Art Stix, which are sticks of just the "leads" of the colored pencils. These are very waxy, so they don't smear or give off dust, like oil pastels and regular pastels do. They cost more than regular colored pencils, but they last a lot longer. Do not sharpen them, but rather, hold them at an angle, while you use them, so that the tips naturally have a point, if you want one. You can maintain a flatter edge on one end and a pointer edge on the other end. I have come to prefer using the Prismacolor sticks to the pencils, which break so easily, when being sharpened. I still need the pencils for really precise coloring though.
Crayola Super Tip Markers. I really like these, in a set of 50, as they actually bleed through less than the Pentel Color Pens, listed below, when you watercolor on the other side of the page. But these have been noticed by the adult coloring book crowd, so now they're hard to find and more expensive! When you can find them at Walmart, they are cheap! And when you shop around on Amazon, they're cheap, too. But Amazon sells them in all price ranges, so beware and pay attention! I call them Panda Markers, because I keep mine in an Uncle Lee's Organic Green Tea box, that has a panda on it. Never mind! :)
Pentel Color Pens. I use these less now, in favor of Crayloa children's markers, because the Pentels bleed through the page, if you watercolor on the other side of the paper. These Pentels are fine line, really nice colors. But these will bleed through, if and when you put watercolor or other water treatments on a drawing on the back of the paper you used the Pentels on! They will then bleed through and ruin the drawing you're working on with the watercolors! If you get Pentels, I suggest Dick Blick, because they have the best price on these for now, but buy anywhere. If you buy them on Amazon, be careful, because they have a bunch of different prices that vary a LOT. If you see that the markers are indeed Pentels, and the price is nearly as good as Dick Blick's, but you have Amazon Prime, then you decide! But don't buy these markers at crazy high prices!
Prang or other watercolor sets, with the cakes of color, not the dreaded, always stuck-lid tubes! I recommend the Prang 16-color set. Prang is my favorite watercolor, and many artists agree that, even though we used them as kids in school, they make the best watercolors, with highly saturated, smooth colors. Also, with Prang, you can find replacement color cakes online. I go through yellow really fast. If you don't want Prang, play around with other sets of pan-watercolors. Prangs are semi-moist, very bright and high-pigmented! Try other brands of watercolors, too, if you like to experiment!
Some nice watercolor brushes. Blick, Jerry’s Artarama, etc, lots of places sell them, but you might want to feel the bristles yourself, in person, and buy locally. The brushes that come with watercolors are usually not very good brushes, so buy some good ones and take good care of them. I love to use flat brushes, not round ones, and my favorite brush is a beveled or angled flat brush, that's soft, but very springy. Be very careful with all your brushes, to make sure you form them back into their original brush shape, using your fingers, after you gently wash them. And never leave them sitting in water. Store them brush-end up or lying flat.
Water soluble colored pencils and color sticks that you can draw with and then use water and brush over are very nice, too. Derwent, Caran d'Ache, Koh-i-Noor, and other brands make these. I LOVE coloring with Derwent Inktense blocks (sticks of concentrated colored inks) and using a wet brush to stroke the sticks, as they lie in their box, and then apply the color to the drawing. I use these more than I use Prang watercolors, but it's up to each of us to choose what we like best.
Good metal, hand-held pencil sharpener, and replacement blades. I've just started buying Prismacolor's pencil sharpeners, and they really sharpen their color pencils very well!!! I am sold on these and like them better than the metal sharpeners!
Kneaded eraser, though I really hate erasers.
I discourage students from using regular pencils and erasers, because these imply mistakes and beg revision. I prefer letting it rip and just drawing, so the pens, markers, watercolors, color pencils, etc, make me happy, as you get used to always moving forward, not fussing with “mistakes.” Children don’t erase, until they get into school and hear about doing it right or wrong … And back to my bad attitude about regular pencils: lightly drawn pencil sketches are very hard to SEE. Let’s stick with things that make good, strong marks, so we can all see what each other has created!
You don't need to buy a lot of stuff right away, and you may only wish to use just a few tools for your drawing, anyhow. So just have a few things you think you'll love using ... and that fancy sketchbook I wrote about, at the start. That's the one thing I really, really want us all to be using the same. If you can't get that particular one, find another brand of 14 x 11" or smaller hardbound sketchboook. But I really prefer the ProArt book.
I hope to hear from you soon! Thanks so much, Lucky (Susan Shie) Please contact me for more information or to sign up for this class or a later Lucky Drawing session, or for one of my Turtle Art Camps for 2018. I teach all my in-person classes the same way I teach my online classes now. I only teach freehand drawing now. See my Turtle Art Camp information.
Above: This is the drawing I made in my 11 x 14" sketchbook, of the scene below. I drew from life, not from the photo, but the photo shows you what I started with ... before the light changed over the next two work hours and the pets shifted and moved a lot. This drawing was made with black marker and colored pencil. For the assignment, students can choose what media to use in response to my assignments.
Above: This is a photo I took of my unmade bed, in prep for making a two hour study of this setting. I knew the dog and cat would move in that time, so I wanted to have the photo as a fail-safe, but I ended up drawing from life for the whole session. It was an assignment I made called "Unmade Bed Drawing."
Above: Susan Shie with one of her large soft paintings (art quilts), made about Monica Bongue's sustainable organic farm, near Wooster. "Muddy Fork Farm." ©Susan Shie 2013. 72"h x 72"w. Airbrush, airpen, whole cloth painting, mostly machine sewn.
Susan Shie personal background: I'm a lifetime artist, born in Wooster, Ohio, on September 28, 1950. I'm a Libra, and a White Metal Tiger. I’ve lived in Wooster most of my life, with my leather-artist husband James (Jimmy) Acord since 1976. Our daughter Gretchen, her husband Mike, and our granddaughter Eva live in Lakewood, Ohio. We have a dog, Libby, and two cats: Otis and Ome, and their sister Cricket lives with GEM, our kids in Lakewood.
I have two college degrees: The College of Wooster, BA in Studio Art (painting) 1981, summa cum laude, honors, Phi Beta Kappa. Kent State University School of Art, MFA (Master of Fine Arts) in Painting 1986, summa cum laude. I taught Drawing I and Drawing II at Kent State School of Art, to undergrads during my master’s program.
My awards include two NEA Individual Artist grants, a Major Artist Grant from the combined NEA and OAC (Ohio Arts Council), and several Individual Artist grants from the OAC, as well as the 2008 Teacher of the Year Award from Professional Quilter. My artist's residencies include six months at PS#1 in New York City and a month in Xi'an, China, both thanks to the Ohio Arts Council.
Quilt National '15 was my 13th time to have work in this seminal biennial exhibiton that tours for two and a half years. I have exhibited, been published, and have taught art in adult workshops around the US and abroad since 1987, when I went from being a student to a professional artist. I've offered monthly weeklong Turtle Art Camps for adult students at my home studio since 1994. I also offer private drawing and painting lessons in my home on a weekly basis, to children, teens, and adults. I'm very glad that I added teaching drawing online to my teaching formats in January, 2015.
I used to teach lots of artmaking techniques, specializing in airbrush and airpen (in my own intuitive way, of course), but in 2017, I switched to only teaching freehand drawing, wherever I teach. That's the best technique to use, to get students to let go of their fears and open up to drawing, as they did as little children. Adults are great artists, when they learn that art doesn't really have or need rules. But really getting that idea is very hard. I teach it!
See more detailed biographical information, including resume, bibliography, teaching history, and artist’s statement, in my resume index page.
For more information, please visit my website Turtle Moon Studios, or email me at email@example.com.
Above: "The Busy Bee Egg Beater Company, Chicago, IL." ©Susan Shie 2014. ink, markers, and colored pencil on paper in 14" x 11" sketchbook, 2-26-14. This started out as an exercise with students, drawing from real egg beaters. Then we used mirrors and added ourselves in the negative spaces formed between the egg beater studies. The assignment is called "Kitchen Tools Drawing."
Susan Shie Turtle Moon Studios, Wooster, Ohio
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